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Sweet Charity Review
Star, dance numbers help make 'Sweet Charity' fun Waugh seems perfect
fit for role of title character
Friday, January 12, 2007
BY JENN MCKEE
News Arts Writer
What can I say? Director Edmond Reynolds appears to like the ladies. The
last musical he directed for the Ann Arbor Civic Theatre, "The Best
Little Whorehouse in Texas,'' featured an ensemble of - ahem - working
girls. And now, with A2CT's new production of "Sweet Charity,'' Reynolds
oversees a troupe of taxi dancers.
For this reason, many may consider Reynolds lucky;
yet "Charity'''s title character (Kathy Waugh) is anything but. She
first gets dumped and robbed by her married boyfriend, then spends an
evening with a movie star who's hung up on another woman.
So when Charity meets a nice tax accountant named
Oscar (Erik Wright-Olsen) while stuck in an elevator, she dares to hope
that she's finally found Mr. Right.
"Charity'' - with a book by Neil Simon, music
by Cy Coleman, and lyrics by Dorothy Fields - runs nearly three hours
and has truckloads of dancing. Choreographer Jeff DiFranco is more than
up to the task, aping Bob Fosse's distinct style while also making the
numbers his own. ("Big Spender'' and the fantastically fun "Rich
Man's Frug'' are worth the price of admission alone.) The cast generally
performed them well opening night, though with so much dancing, the energy
flagged a bit in numbers near the end ("I'm a Brass Band'' and "I
Love to Cry at Weddings'').
Of course, more than anything, "Charity'''s
success always falls squarely on its star's shoulders. Waugh looked tentative
during the show's opening dance number, but after that, she seemed a perfect
fit for the role. In addition to having a strong voice, she impressively
managed to make Charity an appealing optimist rather than a doormat. January
Provenzola and Katherine Hoeg, as Charity's friends and fellow dancers,
also had chances to shine. And though Wright-Olsen struggled with some
vocals opening night, he made a great Oscar (particularly in the elevator
scene).
Yet I must confess: though I know well that "Charity''
is of a different era, Oscar's judgment of Charity, based on the number
of her former lovers, had me seeing red (and wondering why Oscar's sexual
past wasn't up for discussion); and when boyfriends kept tossing Charity
into a lake, I couldn't stop wishing that she'd climb out of the water,
just once, and return the favor.
"Sweet Charity'' continues at 8 tonight and
Saturday and at 2 p.m. Sunday at Lydia Mendelssohn Theatre, 911 N. University
Ave., Ann Arbor. TIckets: $24 ($21 for students). Tickets may be purchased
at the door before each performance, or you can make reservations by calling
734-971-2228, or visiting www.a2ct.org.
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